ART: Cy Twombly @ Gagosian thru 10/31

Gagosian Gallery is pleased to announce an exhibition of new bronze sculptures by Cy Twombly.

Since 1946 Twombly has fashioned sculptures from everyday materials and objects, usually painted with white gesso. In 1979 he began casting some of them in bronze, thus unifying, preserving, and transforming them into cohesive wholes, independent from the original bricolages. The surface and patina of these cast bronzes evoke weathered artifacts that have been exhumed from the earth, an effect that is heightened in those that have been coated in white oil paint.

Born in 1928 in Lexington, VA, Cy Twombly studied art at the School of the Museum of Fine Arts, Boston (1947–49); the Art Students League, New York (1950–51); and Black Mountain College, NC (1951–52). In the mid 1950s, following travels in Europe and Africa, he emerged as a prominent figure among a group of artists working in New York that included Robert Rauschenberg and Jasper Johns. In 1959, Twombly settled permanently in Italy. In 1968, the Milwaukee Art Center mounted his first retrospective. This was followed by major retrospectives at the Kunsthaus Zürich (1987) travelling to Madrid, London and Paris; the Museum of Modern Art, New York (1994) (travelling to Houston, Los Angeles, and Berlin) and the Pinakothek der Moderne in Munich (2006). In 1995, the Cy Twombly Gallery opened at The Menil Collection, Houston, exhibiting works made by the artist since 1954. The European retrospective "Cy Twombly: Cycles and Seasons" opened at the Tate Modern, London in June 2008, with subsequent versions at the Guggenheim Bilbao and the Museum of Modern Art in Rome in 2009.

Twombly lives in Lexington, VA, and Italy.

ART: Sally Mann @ Gagosian thru 10/31

Gagosian Gallery is pleased to present "Proud Flesh", a series of new photographs by Sally Mann.

Children, landscape, lovers—these iconic subjects are as common to the photographic lexicon as light itself. But Mann's take on them, rendered through processes both traditional and esoteric, is anything but common.

Her latest photographic study of her husband Larry Mann, taken over six years, has resulted in a series of candid nude studies of a mature male body that neither objectifies nor celebrates the focus of its gaze. Rather it suggests a profoundly trusting relationship between woman and man, artist and model that has produced a full range of impressions – erotic, brutally frank, disarmingly tender, and more. While the relation of artist and model is, traditionally, a male-dominated field that has yielded countless appraisals of the female body and psyche, Mann reverses the role by turning the camera on her husband during some of his most vulnerable moments.

Mann's technical methods and process further emphasize the emotional and temporal aspects of these fragile life studies. The images are contact prints made from wet-plate collodion negatives, produced by coating a sheet of glass with ether-based collodion and submerging it in silver nitrate. Mann exploits the surface aberrations that can result from the unpredictability of the process to produce painterly photographs marked by stark contrasts of light and dark, with areas that resemble scar tissue. In works such as Hephaestus and Ponder Heart, the scratches and marks incurred in the production process become inseparable from the physical reality of Larry's body.

Sally Mann was born in Lexington, VA in 1951. She has received numerous awards, including three National Endowment for the Arts Fellowships and a Guggenheim Fellowship. Her photographs are in the permanent collections of major museums and private collections including the Metropolitan Museum of Art, The Museum of Modern Art, and The Whitney Museum of American Art, New York; and The Corcoran Museum of Art, Washington, D.C. (source)