Tuesday, September 30, 2008

SCREEN: WHAT WE GOT HERE IS A FAILURE TO COMMUNICATE

I never intended to come home with a convict. I was just going on a drive. A drive down the Great River Road from St. Louis to New Orleans. But I got caught up…

Caught up in the dank mysterious intoxication of the Delta where the blues will lead you unplugged to the banks of the Mississippi River, past catfish farms, high atop a levee, down abandoned rail road tracks where the Southern used to cross the Dawg, to the Crossroads where desperate men sell their souls to the devil at midnight, and right to the front porch of a steadfast but weathered shotgun shack where you will awake to a fuchsia sun peeking up behind a long, lonely stretch of cotton field. And, ultimately, the blues will lead you to Mississippi State Penitentiary, a storied rite of passage for most blues man, mired in the reality of plantation style rehabilitation. Any final resistance to this seduction will fall away as you drive thru MSP with Bukka White’s “Parchman Farm Blues” moaning and droning from your rental car speakers. Gotcha!

* * * * *

When your hotel posts a sign in your room telling you that the water is brown because the river runs underground straight through town, but it’s perfectly safe to drink and bathe in, you have two choices: stay dirty...or get muddy.

The sun is beginning to make its way down towards the horizon as we roll into Greenville, MS and the sky has exploded into a wondrous spray of feathery wisps of clouds and sun spotted rainbows. Greenville is heralded as the heart of the Delta and the region’s biggest city. It has had a history of being a “progressive” town with an overabundance of writers. Today it seems to have an overabundance of strip malls.

Mississippi is all hustle and no bustle: from the lure of instant riches up in Tunica, to the promise of a certain future offered by Sister Marie’s psychic advisement on the outskirts of Greenville. The town’s treasures are scattered. From the meditative tranquility of a weeping willow tree shading the banks of a placid stream at the historic Winterville Mounds, to the barren grittiness of Nelson Street where you can scarf tamales at Doe’s Eat Place and get your juke on at the Flowing Fountain.

And then there’s the intersection of Highways 82 and 1. The intersection buzzes with the accessibility of instantly gratified needs, from the steady stream at the mini-mart on the northwest corner, to the fast-food commodified tentacles stretching to the South and East. By stark contrast, the shell of an abandoned gas station sits in beaten decay under the Mississippi sun across the street. This is the forgotten corner. The one everybody hurries past en route to somewhere else. Across the street they offer “Quick Cash” and “Pay Day Loans.” Over here, you got nothing coming.

* * * * *

“Look! Convicts!!” I exclaim as we approach “nothing coming” corner. Four white men in green and white striped pants with “MDOC CONVICT” stenciled in black across their white short-sleeve button down shirts mill about the empty lot while their overseer, a portly, dark-skinned black man wearing khaki pants, a long-sleeved, button-down chambray shirt, suspenders, a suede cowboy hat, stereotypical mirrored aviator boss man sunglasses and a 1/4 inch thick, gleaming gold herringbone chain, watches them as his left jaw juts out under the weight of a large wad of chewing tobacco.

We stop and we make friends.

* * * * *

The thought of becoming a prison pen pal can be a little scary. Your biggest fear (aside from realizing, as most people do, that you have fallen in love with your convict!) is that they will get released and find you one day. That you will be stalked and subsequently chopped up into little pieces and tossed into the East River. And after a year of finding random body parts washed up on the banks of the FDR Drive and Roosevelt Island, the NYPD will piece the body together and finally ID it as...YOU. So, I take some precautions:

1. Unlist my phone number
2. Rent a PO Box
3. Make sure my dental records are up to date
4. Get a con-ed (convict education)

I read books: You Are Going To Prison, Cell 2455 Death Row, The Prisoner’s Wife, New Jack, You Got Nothing Coming, In The Belly Of The Beast, How To Survive Federal Prison Camp, Hillary Clinton’s Pen Pal, The Prisons, The Serial Killer Letters, Games Criminals Play: And How You Can Profit By Knowing Them.

And I watch movies: Life, O Brother Where Art Thou, Auggie Rose, and, of course, the mother of them all, Cool Hand Luke. (end…for now)

RIP Paul Newman. Cool Hand Luke, the deluxe edition on Blue Ray and DVD, is out now on Warner Home Video.

Monday, September 29, 2008

ART: WALKER EVANS: Carbon & Silver

BOND STREET GALLERY is pleased to present Walker Evans: Carbon and Silver, curated by John T. Hill and Sven Martson. The exhibition showcases many of Evans' seminal images from his most prolific years, 1935–36.

Beginning in the 1930s, Walker Evans' work has left an indelible mark on the arts, extending well beyond the boundaries of photography. His incidental approach towards printing makes quality vintage prints extremely rare. Although he recognized the value of a carefully made print, it was more often considered a necessary step in revealing his subject — which was the signs of our universal humanity. The definitive fine art print was never an interest in of itself.

This exhibition juxtaposes gelatin silver prints with carbon pigment prints of these iconic images, made by two of Evans' associates; John T. Hill, a friend, teaching colleague, and the executor of Evans' estate and Sven Martson, a friend and printer of Evans' later work. Together Hill and Martson have interpreted Evans' work from this monumental series. Together they have made a dedicated study of Evans' own prints as well as several publications produced under his supervision. By taking advantage of current digital technology, they are producing archival images that lengthen the tonal range of traditional gelatin silver printing and allow the viewer to discover tiny details of Evans' photographs.

Throughout his career, Evans delegated printing to trusted friends and professional labs. He was intensely curious about the details of commercial printing processes, including sheet fed gravure. He used oversized prints in both of his retrospective exhibitions at the Museum of Modern Art. In 1973 he eagerly exploited the latest technology of the instant Polaroid. He was the supreme pragmatist, realist, and experimenter. Evans' vision and the physical expression of that vision were his graphic denial of the fine art tradition. This exhibition is an extension of that spirit.

ABOUT WALKER EVANS: Walker Evans was born in St. Louis, Missouri in 1903 and was largely a self-taught photographer. He was the first photographer to have a solo exhibition at the Museum of Modern Art, American Photographs, in 1938. American Photographs and the later collaboration with James Agee for Let Us Now Praise Famous Men (1941) are among Evans’s most famous bodies of work. Evans worked for the Farm Security Administration during the Great Depression, where he made some of his most recognizable photographs.

ON VIEW: Wednesday, September 10 – Saturday, October 11, 2008
BOND STREET GALLERY 297 Bond Street Brooklyn, NY 11231 (Carroll Gardens)718.858.2297 DIRECTIONS: F/G to Carroll St. or R to Union St.
GALLERY HOURS: Tuesday – Saturday 11 am – 6 pm

Friday, September 26, 2008

SOUNDS: Wyker Widsom: "Always make friends with the arresting officer" by Dick Cooper

Johnny Wyker had been in the studio for three days, and it was time to take it home and lay it down. He wasn’t in any shape to drive, but there wasn’t any other way to get home. It was almost 4 a.m., and there hadn’t been anyone in town for hours.

Wyker had been the driving force behind Sailcat and its 1972 hit Motorcycle Mama. He was a well known member of the Muscle Shoals music community, and it wasn’t unusual for him to become totally lost in a project during its creation.

Since he was having difficulty driving, he put the driver side wheels of his Cadillac against the curb and slowly drove up Montgomery Avenue on the wrong side of the road, toward his garage apartment on St. Louis Avenue.

He had only gone about three or four blocks when the patrol car pulled up. The policemen recognized Wyker, and asked what he was doing. Badly slurring his words, Wyker explained he had been working in the studio for three days straight and was just trying to make it to his apartment.

So the policemen put Wyker in the patrol car, and one of them drove the Cadillac to Wyker’s apartment, while the other policeman followed in the patrol car. They let him out and told him to go upstairs and go to bed.

Wyker thanked them and headed up the stairs. A short time later, he realized he was out of cigarettes. So he went downstairs, got into his car and begins driving to the store. As he arrives at the store he runs into the two policemen again. They let him buy his cigarettes, and then once again one drives the Cadillac while the other gives him a ride home.

They tell him not to go out again, and let him go upstairs.

A few minutes later there is a knock on the door, and it’s Jimmy Allen who is drunk and has grounded his car in the median a block away. He asks Johnny to come help him get his car free.

So Wyker walks with him back to the car, and gets behind the wheel to steer while Jimmy pushes it off the median. In the middle of this the policemen drive up and discover Wyker in the driver’s seat revving the engine while Jimmy is trying to push the car off the median.

They were both arrested, and I was called the next morning to come bail them out.

As I opened the door to the City Hall I heard voices coming from the jail upstairs. As I climbed the stairs I couldn’t believe what I was hearing. Wyker had all the inmates and the jailer singing “I’ve Been Working on the Railroad.”

They finish the song and all give themselves a big cheer. When they let Wyker out he’s got this big ass grin on his face, and as we are leaving the jail, he gives me the best advice I’ve ever gotten. He told me, “Always make friends with the arresting officer.”

The story happened in 1973, and this picture of Wyker is 2004/5. Photographer, journalist, manager, road manager, promoter, music publisher, producer, curator, Dick Cooper has done everything but perform during his 33 years in the music business in Muscle Shoals, AL. He recently wrote about the passing of his friend Jerry Wexler on Swampland.

Thursday, September 25, 2008

STAGE: "He couldn’t spell Mississippi. He put so many p’s in it you could serve it up for soup"

Charles MacArthur’s fast-paced satire of American politics, Johnny On A Spot, concerns the machinations of a particularly inventive campaign manager to elect (southern state) Governor Johnny, a devout drunk and skirt-chaser, to the U.S. Senate. When he drops dead in a whorehouse, the manager conspires to keep him "alive" long enough to win the election. (Source: Ovation)
Johnny On A Spot runs thru October 4 at:
423 West 46th Street
New York, New York 10036
Just off Ninth Avenue
E,C to 50th St., 1,9,2,3,N,R,W,Q to Times Square, F,V Rockefeller Center

Wednesday, September 24, 2008

STAGE: Southern Promises

When the master of the plantation dies, he wills his slaves to be freed, but his wife doesn't think that good property should be squandered. Pandemonium ensues. The play is inspired by the true story of Henry Box Brown who escaped to the north by mailing himself in a box. Southern Promises provides a unique portrait of the old south. (Source: P.S. 122)

Southern Promises (90 min., no intermission)
PS122 (150 First Avenue)
Tickets (212-352-3101): $18.00
Performances (through 9/27): Mon. @ 7 Wed.-Sat @ 8:30

Monday, September 22, 2008

SCREEN: A "rancid slice of Southern-fried crazy?" Sign me up!

Hounddog, which became infamous after Sundance as the "Dakota Fanning rape movie," has opened. Time Out NY calls it the aforementioned "rancid slice of Southern-fried crazy." The film has elicited everything from boos to evangelical protests to the support of Gloria Steinem and various children's and women's advocacy groups. It is either exploitative or revelatory, depending on which review you read. Probably best to find out for yourself.

Thursday, September 18, 2008

SPORT: SEC IN THE CITY: Football Game Watching Parties


Because No Dawg/Gator/Tiger Should Bark/Chomp/Roar Alone!
ALABAMA Crimson Tide @ the new Brother Jimmy's location in Murray Hill at the corner of Lexington Avenue & 31st Street.
ARKANSAS Razorbacks @ The Mad Hatter Saloon 360 Third Avenue at 26th Street.
AUBURN Tigers @ Meet at Bar 515 515 3rd Ave, between 34th & 35th
FLORIDA Gators @ The Gin Mill 442 Amsterdam Avenue at 81st St. AND Sidebar 120 East 15th Street at the corner of Irving Place AND Town Tavern 134 West Third Street.
GEORGIA Bulldogs @ Firefly Bar 54 Spring Street (Between Lafayette and Mulberry Streets)
KENTUCKY Wildcats @ Mercury Bar at 33rd and 3rd
LSU Tigers @ Legends 6 West 33rd Street, bet. 5th & 6th Ave (212)967-7792
OLE MISS Rebels @ XII Bar 206 East 34th Street (@ 3rd Ave)
SOUTH CAROLINA Gamecocks @ Copper Door Tavern 272 3rd Avenue (between 21st and 22nd Streets)
VANDERBILT Commodores @ Village Pourhouse 64 3rd Ave (at 11th St) AND Southern Hospitality 1460 2nd Ave (at 76th St) - please check the Vanderbilt Alumni website to see which bar each game will be playing at!

Wednesday, September 17, 2008

SCREEN: Moving Midway

Godfrey Cheshire's richly observed film about his family's Southern plantation - and the colossal feat of moving it to escape urban sprawl - is a thoughtful and witty look at the lingering remnants and still-powerful mythology of plantation culture and the antebellum South. An award-winning film critic turned film maker, Cheshire uses the relocation of his family's North Carolina plantation house to embark on a surprising and multi-layered journey. While observing the elaborate, arcane preparations for moving a centuries-old house over fields and a rock quarry, unexpected human drama - from both the living and the dead - emerges. And a chance encounter leads Cheshire and his cousins to discover a previously unknown African American branch of the family (who have their own take on Midway and its legacy).

Through the use of movies and music, and by turning the camera on himself and his family, Cheshire examines the Southern plantation in American history and culture, and how the racial legacy from the past continues into the present. (Source: First Run Features)

Moving Midway is playing now in NYC @ IFC and Lincoln Center. Watch the trailer here.

Tuesday, September 16, 2008

SCOOP: Greensboro, NC by Stephanie Sherman

Elsewhere Artist Collaborative's Director of Concept and Design Stephanie Sherman gives Southernist "the scoop" on insider hotspots in Greensboro, NC:

ART: Elsewhere!! is an arts production site and experimental museum that brings innovative contemporary artists to Greensboro to participate in the transformation of a three-story former thrift store housing one woman's immense 58-year collection of surplus objects. (See more info below)

SLEEP: The Proximity Hotel is an awesome new green hotel. New World Moxie - Old World Hospitality -Vibrant Restaurant - Creative Events - Stylish Loft-Like Guestrooms - A Green & Eco Friendly Hotel. "Greensboro is an apt name for a town that will be home to one of the greenest hotels in the country." - New York Times, September 2007

EAT: 223 restaurant (223 south elm street) has incredible experimental southern food that appears totally wacky but is actually delicious. Very innovative combinations.
SHOP: A new store on McGee St. in downtown called "Love Your Friends Be Social"is a mix of skateboard, hip-hop, designer genre with some really great colorful kicks and nice sunglasses. Also, there's a great vintage store called Design Archives on Tate Street (a little ways from downtown).

More about Elsewhere: Elsewhere's international visiting artist program invites innovative cultural producers to create new, site specific works across media using the materials of Elsewhere's collection. Artists work with and within a living artwork, continually transforming Sylvia's collection and past artists' work into a building-wide collaborative installation. At Elsewhere neither object nor artwork is for sale, instead, a continually circulating environment of art and object provides imaginative experiences for audiences and artists alike. Elsewhere's fifth season, running March to November 2008, will include over 35 international creators and feature a complete schedule of openings, Artist Conversations, performances, workshops, new installations, happenings, and events.
2008 marks the bicentennial of Greensboro, NC.

Tuesday, September 2, 2008

ART: Banksy Paints New Orleans


One wouldn’t normally expect to find the world’s most Googled street artist lurking among the ruins of the lower ninth ward in NEW ORLEANS, but that’s just where renegade stencil artist BANKSY has been holed up for the past week, covering the desiccated city with art to commemorate the anniversary of KATRINA, the hurricane that killed 1800 people when it struck the coastal city in 2005. Said Banksy of the operation, “Three years after Katrina I wanted to make a statement about the state of the clean-up operation,” and attested that the city’s levee wall offered “the best painting surface in the state of Louisiana.” However, the Bristol Bomber seemed to feel some pangs of regret in his action when he added, “…I wanted to highlight the state of the clean-up operation. Only later did it dawn on me that if you choose to do this by drawing all over their stuff, you’re actually only slowing down that clean-up operation.” Of course, in the art world, timing is everything, and as the roving stencil demigod wraps up his project, the city braces for the onslaught of oncoming tropical storm Gustav which threatens to again devestate the slowly healing city. Hopefully, once residents realize what’s been painted on their doorstop, a quick sawsall session and a little eBay savvy will net them enough to build a mansion in the French Quarter. HAVE A LOOK (courtesty of SuperTouchArt.com)