Showing posts with label blues. Show all posts
Showing posts with label blues. Show all posts

Thursday, December 10, 2009

SCENE: Blues, Booze & BBQ tonight @ PowerHouse Arena

Blues, Booze, & BBQ, the first book by Michael Loyd Young, documents the 150 miles of Highway 61, the famed blacktop road snaking from Memphis, TN down to Greenville, MS. At the halfway point, in the heart of the Mississippi Delta, sits Clarksdale, MS, the city considered the birthplace of the blues and the location of Robert Johnson’s famed “Cross Road Blues” intersection of Highway 61 and 49.

The Delta has been home to blues legends such as Charley Patton, John Lee Hooker, Muddy Waters, Howlin’ Wolf, Ike Turner, Cadillac John Nolden, B.B. King, T-Model Ford, Mississippi Slim, Big Jack Johnson, and Willie King, among countless others whose music has become the glue that holds these communities together as they struggle to survive. Young’s photographs, taken at juke joints, in private homes, or just hanging out, illustrate the bond blues creates between the Delta and its people. It is through this music that the people pass on their heritage and culture to future generations. (source)

T-Model Ford performs tonight (12/10) at the book launch party at the PowerHouse Arena in Brooklyn.

Thursday, May 28, 2009

SCENE/SOUNDS: Willie King's Freedom Creek Festival 5/29 & 30

WILLIE KING'S FREEDOM CREEK FESTIVAL 2009

in honor of the late, great Willie King, will take place on

Friday 29th May and Saturday 30th May

featuring

the Legendary Kenny Neal

Cedric Burnside and Lightenin' Malcolm

the spirit of Willie King

and many more!!!!

Old Memphis, near Aliceville, Alabama





On Sunday, March 8, 2009 the outstanding Alabama blues musician Willie King passed away near his home in Old Memphis, Alabama, following a massive heart attack. His career started on a plantation with a one-string, homemade diddly-bo. Six recordings and a DVD later, along with numerous national and international festival performances, Willie King has gained a substantial national and international reputation.

Ever since he first heard a blues musician play at this grandmother’s juke joint over sixty years ago, Willie King has been consumedby the blues. His life story is about great music but equally it is about care, interest and concern for the community he grew up in - King's own definition of the "blues life."

The loss of this great blues man will be felt by fans and musicians all over the world who have been touched by his unique juke joint blues and uplifting message of peace, love and social justice.

The funeral took place on Sunday, March 15th at 2pm at the City Hall in Aliceville, Alabama. A wake was held the day before on Saturday, March 14, from 1 - 3 pm at Lavender's Funeral Home.

Like many artists, Willie King had little money and made no provisions for his burial costs. The Willie King Memorial Fund has been created for those who wish to help with funeral expenses and to create a historic marker celebrating Willie King's life and works. Please send contributions to "The Willie King Memorial Fund," c/o West Alabama Bank, Attention Tammy, PO Box 406, Aliceville AL 35442 or donate online through PayPal. (source)

Thanks to Jeanie Thompson at Alabama Writer's Forum for first telling me about Willie's passing. She wrote:
"Anne, this is a real loss. He was only 66. He was to receive a big award at the Governor’s Arts Awards in May. Everyone is very sad…"

Monday, January 12, 2009

BOOK: Delta Blues by Ted Gioia


I was skeptical about there being anything left to say about the Blues but Ted Gioia's new book, Delta Blues, has gotten rave reviews from everyone from the New York Times to Kirkus Reviews (following below):
The back roads of the blues are traveled anew in a biography-driven history. Writer-musician Gioia (Healing Songs, 2006, etc.) undertakes the daunting task of reconsidering the blues of the Mississippi Delta, musicological terrain well-plowed in several noteworthy books, most prominently the late Robert Palmer's seminal Deep Blues (1981). Gioia is up to the job. After some wide-lens discussion of the music's African origins, W.C. Handy's popularization of the form in the early 20th century and the early female "classic blues" singers, he plunges into chapters largely focused on the Delta style's key recording artists. Equal weight is given to originators of the '20s and '30s (Charley Patton, Son House, Skip James, the inevitable Robert Johnson) and postwar exponents (Muddy Waters, John Lee Hooker, Howlin' Wolf, B.B. King). A final chapter summarizes the entry of the Delta's music into the cultural mainstream via the blues revival of the '50s and '60s and recent developments, wrapping things up tidily. With the exception of House, all Gioia's subjects have been covered in at least one full-length biography, but his prose moves with enough velocity and packs enough insight to keep even jaded readers interested. He roams easily into sidebar discussions about topics as diverse as the role of Mississippi retailer and talent scout H.C. Spier in the spread of the Delta sound; the tenuous economics of the "race records" business, which screeched to a halt during the Depression years; and the careers of such chimerical performers as Kid Bailey and Geechie Wiley, one of the very few women to play in the Delta style. Gioia has absorbed all the previous research and organizes it with verve and economy, and he's not afraid of being argumentative when it's warranted. He has also undertaken fresh interviews with many of the obsessive scholars, including Gayle Dean Wardlow, Mack McCormick and Stephen Calt, whose fieldwork first unearthed the elusive history of the Delta's bluesmen.Comprehensive and smart - a solid text for blues aficionados. (Kirkus Reviews)

Tuesday, September 30, 2008

SCREEN: WHAT WE GOT HERE IS A FAILURE TO COMMUNICATE

I never intended to come home with a convict. I was just going on a drive. A drive down the Great River Road from St. Louis to New Orleans. But I got caught up…

Caught up in the dank mysterious intoxication of the Delta where the blues will lead you unplugged to the banks of the Mississippi River, past catfish farms, high atop a levee, down abandoned rail road tracks where the Southern used to cross the Dawg, to the Crossroads where desperate men sell their souls to the devil at midnight, and right to the front porch of a steadfast but weathered shotgun shack where you will awake to a fuchsia sun peeking up behind a long, lonely stretch of cotton field. And, ultimately, the blues will lead you to Mississippi State Penitentiary, a storied rite of passage for most blues man, mired in the reality of plantation style rehabilitation. Any final resistance to this seduction will fall away as you drive thru MSP with Bukka White’s “Parchman Farm Blues” moaning and droning from your rental car speakers. Gotcha!

* * * * *

When your hotel posts a sign in your room telling you that the water is brown because the river runs underground straight through town, but it’s perfectly safe to drink and bathe in, you have two choices: stay dirty...or get muddy.

The sun is beginning to make its way down towards the horizon as we roll into Greenville, MS and the sky has exploded into a wondrous spray of feathery wisps of clouds and sun spotted rainbows. Greenville is heralded as the heart of the Delta and the region’s biggest city. It has had a history of being a “progressive” town with an overabundance of writers. Today it seems to have an overabundance of strip malls.

Mississippi is all hustle and no bustle: from the lure of instant riches up in Tunica, to the promise of a certain future offered by Sister Marie’s psychic advisement on the outskirts of Greenville. The town’s treasures are scattered. From the meditative tranquility of a weeping willow tree shading the banks of a placid stream at the historic Winterville Mounds, to the barren grittiness of Nelson Street where you can scarf tamales at Doe’s Eat Place and get your juke on at the Flowing Fountain.

And then there’s the intersection of Highways 82 and 1. The intersection buzzes with the accessibility of instantly gratified needs, from the steady stream at the mini-mart on the northwest corner, to the fast-food commodified tentacles stretching to the South and East. By stark contrast, the shell of an abandoned gas station sits in beaten decay under the Mississippi sun across the street. This is the forgotten corner. The one everybody hurries past en route to somewhere else. Across the street they offer “Quick Cash” and “Pay Day Loans.” Over here, you got nothing coming.

* * * * *

“Look! Convicts!!” I exclaim as we approach “nothing coming” corner. Four white men in green and white striped pants with “MDOC CONVICT” stenciled in black across their white short-sleeve button down shirts mill about the empty lot while their overseer, a portly, dark-skinned black man wearing khaki pants, a long-sleeved, button-down chambray shirt, suspenders, a suede cowboy hat, stereotypical mirrored aviator boss man sunglasses and a 1/4 inch thick, gleaming gold herringbone chain, watches them as his left jaw juts out under the weight of a large wad of chewing tobacco.

We stop and we make friends.

* * * * *

The thought of becoming a prison pen pal can be a little scary. Your biggest fear (aside from realizing, as most people do, that you have fallen in love with your convict!) is that they will get released and find you one day. That you will be stalked and subsequently chopped up into little pieces and tossed into the East River. And after a year of finding random body parts washed up on the banks of the FDR Drive and Roosevelt Island, the NYPD will piece the body together and finally ID it as...YOU. So, I take some precautions:

1. Unlist my phone number
2. Rent a PO Box
3. Make sure my dental records are up to date
4. Get a con-ed (convict education)

I read books: You Are Going To Prison, Cell 2455 Death Row, The Prisoner’s Wife, New Jack, You Got Nothing Coming, In The Belly Of The Beast, How To Survive Federal Prison Camp, Hillary Clinton’s Pen Pal, The Prisons, The Serial Killer Letters, Games Criminals Play: And How You Can Profit By Knowing Them.

And I watch movies: Life, O Brother Where Art Thou, Auggie Rose, and, of course, the mother of them all, Cool Hand Luke. (end…for now)

RIP Paul Newman. Cool Hand Luke, the deluxe edition on Blue Ray and DVD, is out now on Warner Home Video.

Thursday, August 14, 2008

ART: If You Can't Keep Your Baby, We Can


7:14 pm. Welcome to Arkansas. Alex bought one of those white-trash lighters that have a half-naked guy on it, wearing ripped up jeans.

1:10 am. Mississippi state line.

sugar never was so sweet. day four.

8:30 am. I do believe this was the earliest we ever got up in a motel room, but it had to be done. This was Mississippi, and there's nothing like waking up in the Delta for the first time in your life.

Alex collected the breakfast bagels and coffee, Beth was doing Yoga, and meanwhile I was busy being paralyzed with the anticipation of seeing the land where the blues began. I guess if you woke up one morning and knew you were going to fall in love for life that day, you'd feel just about the same. How could you even turn a door handle or squeeze toothpaste on your toothbrush without your heart thumping up in your mouth?

Outside, the humidity hung heavy in the air, and the breeze smelled sweet and warm. We drove over a small, country road with an overcast, yellow sky above us just aching to let loose. The road was awkwardly patched-up and flooded on either side by deep green. Whole trees were smothered by vines, creating strange landscapes that looked like science fiction.

"One of these nights, you're sure gonna love me right
And I'll come and I'm gonna be your baby
All the rest of my life. . ."

Coahoma.
It seemed to be election time. The roadsides were cluttered with little colorful signs, demanding you vote for a whole array of bizarre governmental positions." Re-elect Scotty Meredith - Coroner", "Elect Alfonzo Buford - Constable Northern District", "Elect Ed Seals - Coahoma County Superintendent of Education", "Re-elect Rybolt - Constable", "Please elect Carolyn Parham - Tax Assessor Collector".

"If you can't keep your baby, we can" - billboard.

(Excerpted from Devil Got Religion. Mercedes Helnwein. (c) 2004)


Influenced by the blues and a lifelong obsession to see places with names like Arkansas and Mississippi, critically acclaimed Los Angeles-based Austrian artist Mercedes Helnwein has birthed such works as America Motel Project and a body of drawings described as "photo-realistic," "lucid fairy-tales," "strikingly bizarre," "haunting," "southern Gothic," "evocative" and "unexpected."


Whistling Past the Graveyard featuring new works by Mercedes Helnwein and hosted by Jason Lee opens at the Merry Karnowski Gallery in Los Angeles on August 30.