Lifting Me Over, image courtesy the artist and Jeff Bailey Gallery, New York
Jeff Bailey Gallery in Chelsea is exhibiting the work of Alabama artist Lonnie Holley again, this time in a group show entitled Pitch, with two other artists, Fabienne Lasserre and Halsey Rodman. Mr. Bailey was gracious enough to speak with Southernist via email about Mr. Holley's work and the place of Southern artists in our city.
How did you first become
familiar with Mr. Holley’s work?
I have known of Lonnie's work since the 1990s. I am
originally from Birmingham, AL, where Lonnie is from. His work is part of
the Birmingham Museum of Art's collection, and he is well known in the
Birmingham community. His work is also part of the Folk Art Museum's collection
here in New York and other museums throughout the country.
What about his work made you
want to represent him?
The work is both original and compelling. Lonnie transforms
found materials into assemblages and sculptures that evoke everyday life.
Where does Mr. Holley’s work fit
in with current offerings in contemporary art?
Many artists make assemblages and sculpture. What is
important is to make work that is unique.
In what ways does the work of
each of the three artists in the current show relate to each other (if at all)?
Each artist combines disparate materials in innovative ways,
resulting in works that hover between painting, drawing and sculpture.
How has Mr. Holley’s work (both
in this show and his solo show in 2010) been received by the New York art
audience?
It has been very well received, both critically and
commercially. Time
Out New York and The
New Yorker reviewed his solo show [in 2010] and the work has been acquired
by both contemporary and folk art/outsider art collectors and by the The
Progressive Art Collection.
What, if any, challenges are
there in representing a Southern artist in New York City?
I don't think the challenges are any different in
representing a Southern artist or one that is from any other part of the
country.
My impression is that Southern
writers have reached a level of respect/acceptance beyond the region faster
than other types of arts and culture being produced. What is your response to
that?
That might be explained by the larger audiences that
literature and music inherently have, compared to the visual arts.
Has art made by Southerners had
a harder time being seen as being beyond folk, craft or outsider?
I would say no. There are and have been
many successful non outsider artists from the South, although the older ones
usually left in early adulthood, like Robert Rauschenberg, and moved to New
York. The photographer William Eggleston has had great success and I
believe he still lives in Tennessee. I show two other artists from the South,
Amy Pleasant (Birmingham) and Jim Richard (New Orleans) and they have strong
careers, although they are not yet well known. It's not as important for an
artist to move to New York as it used to be. Pitch is on view at Jeff Bailey Gallery through April 28.
